Again, the team would like to thank everybody for the incredible amount of feedback and support we have received over the last few weeks, and we're overwhelmed that our project has spread so far and been of interest to such a wide and varied audience. From historians, to primary school teachers using our work in their class rooms, we are all extremely happy that our work has made such an impact.

The level has been submitted as of today. It's out of our hands!

While we actually finished back in June, we had the summer to push the level, but unfortunately due to the group going seperate ways, communication was tough and the level was pretty much left as it was. Needless to say though we're all still very happy with the results, and a couple of us did continue to add some more detail and life to the level.

We've had great support from our tutors and the people at Crytek, it's been a blast working on this project, having the opportunity to work in a team on such an interesting subject.

Below are some screengrabs, and a video flythrough.

3 types of fire wood which can be arranged into large bundles

Tiling texture of wet mud with foot prints

3 types of flowers. Although the daffodils have been removed as the don't fit with the season we are aiming for

Selection of farm tools

Ropes to add more character to the docks

A massive range of market stalls

A range of posters with related news to the time period for extra authenticity

Docks are starting to take shape

Over the last few weeks our level has grown significantly in scale and in quality, but one problem we have encountered that has been mentioned in previous posts is the majority of the level looking very similar. There has been multiple suggestions for trying to combat this issue such as colour grading specific areas of the level, the inclusion of smaller prop assets should help break areas up and finally modelling a selection of unique buildings.

Chelsea Lindsay has already begun this process by building a selection of unique tavern buildings to place around the level as well as various unique signs based on actual documented buildings from various sources souch as the diary of Samuel Pepys, and whilst it has been my job throughout the project to plan and produce concepts for Pudding Lane I was happy to take on the important job of designing and building the model for Farriner's (or Faynor) bakery which is located on Pudding Lane. The bakery bears some significance to our project for a number of reasons, first of all our teams name 'Pudding Lane Productions' and the fact that our level has expanded outwards from Pudding Lane. As well as this Thomas Farriner was actually the Kings appointed baker, but most importantly Thomas Farriner's bakery on Pudding Lane is the location in which the Great Fire of London is said to of started.

More information on Thomas Farriner can be found here;
http://www.museumoflondon.org.uk/Explore-online/Past/LondonsBurning/People/record.htm?type=person&id=150785

The team wanted the bakery to be unique but not stand out so much that it looked out of place in our level. That in mind I tried my best to design the bakery using the materials and textures we had been using. I also wanted to the building to have an interesting shape, although not unimaginable, as well as considering the inclusion of some important elements such as where the shop sign would be placed, chimneys,  large display windows etc. Thankfully I had managed to gather some invaluable reference during our visit to York as well as throughout the project. Below are my initial sketches, final concept, renders of the model and examples of the model in the engine.

My initial sketches of Farriner's Bakery building designs

Final concepts for Farriner's Bakery including various ideas for props to be placed outside

You might notice from the renders of my final model below that the bottom right window is slightly different. This is because I've also included an alpha channel in this one window with a simple interior inside, including doors, stairs and a simple oven. Once in engine, Luc Fontenoy has said he will be able to place lights inside the room and inside the oven to give the impression that the bakery is being used during gameplay.

Orthographic renders of the final model

And below is a selection of the final bakery model in engine in our level. The team struggled to find any reference in relation to where the actual bakery was situated on Pudding Lane so when Luc Fontenoy put the model into our level he placed it about half way along the street. In the screen shots you can see some of the bakery specific props starting to populate the surrounding area built by Dan Hargreaves and Dom Bell as well as the unique bakery sign that Chelsea Lindsay has designed.

Despite having street upon street of our London fully built and explorable now, the level is still looking a bit empty and similar  So to avoid creating what is essentially a very pretty labyrinth right now, our top priority was cranking out more and more prop assets again this week.

I've (Chelsea) been making a bit of an assorted collection of smaller assets to add a little bit more interest to some of our streets.

Farriner's Bakery Board - I made the texture with composite layers, so  I left my  layer details on the render for Luc. But since we're not really sure how to translate to Cry, I'm probably gonna have to remake this simpler. Doh.

Stray planks - Tudor streets were lined with these for use as pathways amongst the mud and filth.

Tavern signs and the sign for Farriner's Bakery. Based off real documented taverns.

Market Cross

Fish Stall Set-up - I've started merging my produce assets with our stalls to create individual merchants

Joe's been on building duty this week, tackling the docks area in particular as we had yet to replace our warehouse placeholders.

He made two more wooden textures for use on the warehouses as well as any of our other upcoming props

Storage shed

Warehouse building Full selection of Dock buildings Dan Hargreaves has been focusing on ground details in particular, such as remaking the cobblestones and making grass.

New and improved - The previous cobblestones looked a bit more like beach pebbles in our level, so this new texture was a much needed upgrade

Planes of grass, which blow in the breeze and add a little more movement and life to our level.

Misc - Guts and Manure. Nice surprises to find in our streets.

A standard crate - for use basically everywhere.

Dan Peacock has been working on butchery assets in particular such as meats and carcasses. In particular, he's been spending a lot of time making a high detail pig to draw a bit more interest to our butchers.

Draining pig - appetising

Dom's been on smaller clutter props, such as various tools and utensils to scatter around some of the corners of our level and outside specialist buildings.

Bakery goods

Boats

Blacksmith utensils

Luc's mostly been improving our lighting and importing/placing our props as they are made, but he's also took up the responsibilty of constructing London Bridge and the gate in particular.

Concept of London Bridge - The gate.

He also made a brick texture especially for the bridge.

Lighting upgrade - new shadows and cubemaps are making our level look a lot more atmospheric and a lot less flat.